You are right in all things. I have not seen Corpse Bride. Certain animation unsettles me, though probably not that one. Maybe I didn't watch it because I thought I would be being unfaithful to Wallace and Gromit. That doesn't seem a reason to avoid Depp though.
Love Muchly,
Gloomface.
PS. I found a Garfunkel poem about boy-touching envy. Look:
'Two Japanese teenage boys - one, the attraction, the other, attracted, walked in sundown's afterglow around Tokyo. Having no better place to go, I turned around and followed them.
Maybe I am the attracted one - a stand-in beside the thin frame of the favored youth, as it glided within Hawaiian cotton that slid against his skin. No, his beauty must be featured in the feelings of his friend.
At the end of the street, a red light brings me closer to them. We wait (Where are we going?). I look into the crook behind the underarm of the chosen one, the taller of the pair, when the shorter brings his shoulder there - the finest point of contact, hardly aware, a hush...the unbearable lightness of being there, witness to the blush, the leaning in, Zen- gentle letting him.
The boy whose wardrobe is trying too hard adores his mate, and I can't help but empathize. Running down the ribcage and the tenderness of the inner arm, I feel the straddling security in the lengthening stoplight swoon...the permanent stain of affection as something I recognize.'
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
Date: 2006-07-25 09:12 pm (UTC)You are right in all things. I have not seen Corpse Bride. Certain animation unsettles me, though probably not that one. Maybe I didn't watch it because I thought I would be being unfaithful to Wallace and Gromit. That doesn't seem a reason to avoid Depp though.
Love Muchly,
Gloomface.
PS. I found a Garfunkel poem about boy-touching envy. Look:
'Two Japanese teenage boys - one, the attraction, the
other, attracted, walked in sundown's afterglow
around Tokyo. Having no better place to go, I
turned around and followed them.
Maybe I am the attracted one - a stand-in beside the
thin frame of the favored youth, as it glided within
Hawaiian cotton that slid against his skin. No, his
beauty must be featured in the feelings of his friend.
At the end of the street, a red light brings me closer
to them. We wait (Where are we going?). I look into
the crook behind the underarm of the chosen one,
the taller of the pair, when the shorter brings his
shoulder there - the finest point of contact, hardly
aware, a hush...the unbearable lightness of being
there, witness to the blush, the leaning in, Zen-
gentle letting him.
The boy whose wardrobe is trying too hard adores
his mate, and I can't help but empathize. Running
down the ribcage and the tenderness of the inner
arm, I feel the straddling security in the lengthening
stoplight swoon...the permanent stain of affection
as something I recognize.'